النوتة الموسيقية $115.16

الاصلي

Jacques Ibert. Concertino Da Camera - MCMXXXV. Alto Saxophone and 11 instruments. Sheet Music. Saxophone. SAX. Jacques Ibert.

ترجمة

جاك Ibert. Concertino Da Camera - MCMXXXV. Alto Saxophone and 11 instruments. ورقة الموسيقى. ساكسفون. SAX. جاك Ibert.

الاصلي

Concertino Da Camera , written in 1935 by Jacques Ibert. 1890-1962. , is a small concerto for Alto Saxophone and eleven instruments. Flute, Bassoon, Oboe, Horn, Trumpet and Strings. This concertino in two movements, Allegro con moto and Larghetto – Animato Molto, is dedicated to the saxophonist Sigurd Rascher and is notable for its large use of the Alto-Saxophone. It can be technically-challenging and has a strong lyrical part. This volume features the parts for all instruments as well as the full score. Its author, Jacques Ibert. 1890-1962. is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique'. 1926. and 'Divertissement'. 1930. He was also in charge of the Accadémie de France in the Villa Médicis. Roma. and was later administrator for the Paris Opera. This concerto has some similarities with his Flute Concerto. 1934. , also published by Alphonse Leduc.

ترجمة

Concertino دا كاميرا، وكتب في 1935 من قبل جاك إبرت. 1890-1962. , is a small concerto for Alto Saxophone and eleven instruments. الفلوت، الباسون، المزمار، القرن، البوق وسلاسل. This concertino in two movements, Allegro con moto and Larghetto – Animato Molto, is dedicated to the saxophonist Sigurd Rascher and is notable for its large use of the Alto-Saxophone. It can be technically-challenging and has a strong lyrical part. This volume features the parts for all instruments as well as the full score. مؤلفها، جاك إبرت. 1890-1962. هو الملحن الكلاسيكي الجديد الذي فاز في جائزة روما في عام 1919. وهو يتألف العديد من الأجنحة السمفونية، المسلسلات وسبعة فرق الأوركسترا، بما في ذلك "أنجليك". 1926. و"الترفيه". 1930. كما انه كان مسؤولا عن Accadémie دو فرانس في فيلا ميديسيس. روما. وكان المدير في وقت لاحق لأوبرا باريس. هذا كونشيرتو لديه بعض أوجه التشابه مع نظيره الناي كونشيرتو. 1934. التي نشرتها أيضا ألفونس ليدوك.