النوتة الموسيقية $7.88

الاصلي

Palestrina. Assumpta Est Maria - Motet. Davison. SSATTB. Sheet Music. Choral. CHOR. Giovanni Palestrina.

ترجمة

باليسترينا. Assumpta مؤسسة ماريا - الترتيل. دافيسون. SSATTB. ورقة الموسيقى. كورسي. جوقة. جيوفاني باليسترينا.

الاصلي

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. In 1545, the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural words was one of the issues at stake, especially as the polyphonic style, of which Palestrina was a master, overlaid many Vocal lines, creating complex textures. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.

ترجمة

باليسترينا هو واحد من أبرز الشخصيات في أواخر عصر النهضة الكنيسة الموسيقى التي لا تزال يقوم بنشاط في جعبته الجوقة التراكيب مجسمة. وهو يتألف اكثر من 250 [موتتس]. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. في 1545 تعيين مجلس ترينت إلى إصلاح الممارسات المختلفة في الكنيسة الرومانية الكاثوليكية في الدفاع عن تهديدات من الحركة البروتستانتية جديدة. كان ضوح الكلمات ديني واحدة من القضايا على المحك، خصوصا أن أسلوب الألحان، التي كان باليسترينا الماجستير، مضافين العديد من خطوط صوتي، وخلق القوام المعقدة. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.