النوتة الموسيقية $34.95

الاصلي

Sacra et litaniae - pars VI. Voice sheet music. Choir sheet music. Trombone sheet music. Organ Accompaniment sheet music.

ترجمة

ساكرا وLitaniae - بارس السادس. صوت الموسيقى ورقة. جوقة الموسيقى ورقة. الموسيقى ورقة الترومبون. الجهاز المرافقة والموسيقى ورقة.

الاصلي

Sacra et litaniae - pars VI. Missa pro defunctis. Composed by Adam Vaclav Michna z Otradovic. Edited by V. Belsky. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3 Trombones. Solo Singing voice. Mixed Choir. ATB. Basso continuo. Organ. This edition. Complete edition. Adam Vaclav Michna. Compositiones 11. Classical. Complete edition, Score. Language. Latin, Text Language. Czech. German. English. Published by Editio Baerenreiter Praha. PA.H7996. ISBN 9790260104013. With Language. Latin, Text Language. Czech. German. English. Classical. 31 x 23.7 cm inches. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. Requiem. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. basso continuo. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.

ترجمة

ساكرا وLitaniae - بارس السادس. Missa الموالية defunctis. Composed by Adam Vaclav Michna z Otradovic. حرره خامسا بلسكي. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3 الترومبون. منفردا الغناء صوت. جوقة مختلطة. ATB. الباس. عضو. هذه الطبعة. طبعة كاملة. آدم فاتسلاف Michna. Compositiones 11. كلاسيكي. طبعة كاملة، نقاط. لغة. اللاتينية، اللغة نص. تشيكي. ألماني. الإنجليزية. نشرت من قبل طبعه Baerenreiter براغ. PA.H7996. ISBN 9790260104013. مع اللغة. اللاتينية، اللغة نص. تشيكي. ألماني. الإنجليزية. كلاسيكي. 31 × 23.7 سم بوصة. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. موسيقى قداس الموتى. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. الباس. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.