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الاصلي

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

ترجمة

لو فيجارو nozze دي KV 492. فولفغانغ أماديوس موتسارت.

الاصلي

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

ترجمة

لو فيجارو nozze دي KV 492. وزواج فيجارو. ألحان فولفغانغ أماديوس موتسارت. 1756-1791. حرره كورت Pahlen. هذه الطبعة. SEM 8007. 6th edition, 2005. الكتب. Librettos. أوبرات العالم. نص. كتيب. لغة النص. إيطالية - ألمانية. 345 صفحات. مدة 180 دقيقة. نشرت من قبل شوت الموسيقى. SD.49041675. ISBN 9783254080073. مع اللغة نص. إيطالية - ألمانية. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. وبصرف النظر عن الاوبرا، وهذه الطبعة تحتوي على تعليقات تمهيدية كورت Pahlen الذي يضيف أيضا معلومات عن هيكل والتركيبية السياق إلى الموسيقية وكذلك الخارجية والداخلية للعمل درامي الأوبرا. وخلاصة قصيرة ولمحة موجزة عن نشأة تجلب العمل في علاقة مع مازا كامل الملحن والحياة، وبالتالي تقديم شامل، وإدخال الغني بالصور.