النوتة الموسيقية $4.20

الاصلي

Skazhi mi Ghospodi, konchinu moyu O Lord Make Known To Me The End Of My Time. Dmitri Stepanovich Bortniansky. A Cappella sheet music. Voice Solo sheet music. Intermediate.

ترجمة

Skazhi mi Ghospodi, konchinu moyu O Lord Make Known To Me The End Of My Time. ديمتري ستيبانوفيتش Bortniansky. والموسيقى ورقة كابيلا. صوت منفرد ورقة الموسيقى. متوسط.

الاصلي

Skazhi mi Ghospodi, konchinu moyu O Lord Make Known To Me The End Of My Time composed by Dmitri Stepanovich Bortniansky. 1752-1825. For SATB choir. with SATB voice solos. , a cappella. Choral, General, Icons, Lent. Medium. Choral score. Published by Paraclete Press. PL.9642. Dmitri Bortniansky studied at the Imperial Court Chapel in St. Petersburg and in Italy where he had his first successes. After ten years in Western Europe, Bortniansky returned to Russia and eventually became Director of the Imperial Court Chapel. This piece is taken from a collection of 35 choral concertos for four voices. Tchaikovsky himself thought this concerto to be the finest of the collection. This piece would make a splendid introduction to the Russian sacred repertory as the vocal ranges are moderate and the classical style is familiar to many choirs.

ترجمة

Skazhi mi Ghospodi, konchinu moyu O Lord Make Known To Me The End Of My Time composed by Dmitri Stepanovich Bortniansky. 1752-1825. لSATB جوقة. with SATB voice solos. ، وكبلا. كورالي، والعام، وأيقونات، الصوم الكبير. متوسط. النتيجة كورالي. التي نشرتها الصحافة الباراقليط. PL.9642. Dmitri Bortniansky studied at the Imperial Court Chapel in St. Petersburg and in Italy where he had his first successes. After ten years in Western Europe, Bortniansky returned to Russia and eventually became Director of the Imperial Court Chapel. This piece is taken from a collection of 35 choral concertos for four voices. Tchaikovsky himself thought this concerto to be the finest of the collection. This piece would make a splendid introduction to the Russian sacred repertory as the vocal ranges are moderate and the classical style is familiar to many choirs.