النوتة الموسيقية $36.00

الاصلي

Coming Home. PE score & parts. Nathan Daughtrey. Euphonium sheet music. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Intermediate.

ترجمة

الصفحة الرئيسية القادمة. PE النتيجة. ناثان Daughtrey. الموسيقى ورقة بوق. الموسيقى ورقة ماريمبا. الموسيقى ورقة قرع. الطبول والموسيقى ورقة. الموسيقى ورقة الفيبرافون. متوسط.

الاصلي

Coming Home. PE score & parts. composed by Nathan Daughtrey. Soloist. with percussion ensemble. For euphonium, bells & crotales. 2 octaves. , vibraphone. 3 or 3.5-octave. , chimes, marimba. 5-octave. , percussion. 4 timpani, concert bass drum, wind chimes, suspended cymbal. 5 players soloist. Difficulty. Medium. Percussion ensemble score and parts. Duration 9. 00. Published by C. Alan Publications. CN.20440. Originally commissioned by euphonium player Christian Folk for euphonium and piano, Coming Home takes its title from the hymn "Lord, I'm Coming Home" by William Kirkpatrick â“ a favorite of his grandmother, Virginia Busbee. Melodic motives from the hymn can be found throughout the piece, with one full statement toward the end. The work divides into three major sections. Fear & Anxiety. The unaccompanied euphonium at the beginning poignantly captures the feeling of being lost and alone. Even with the sparse interjections of the percussion ensemble, those anxious feelings are still difficult to overcome. As this section unfolds, there is a sense coming to a climax, but the music quickly dies back down, smoothly transitioning into the next. section. Courage & Strength. Climbing fifths and quartal harmonies characterize this section, combined with a stronger statement of the thematic material from the opening of the piece. A grandiose climax is achieved before moving into the final section of the piece. Peace, Acceptance & Hope. Ascending figures in the vibraphone create an ethereal backdrop for the only full statement of the hymn. Christian's grandmother's name, Virginia, is uttered as a serial musical figure in the orchestra bells. This figure eventually becomes a music box-like accompaniment tinkering in the bells and vibraphone. Motives from the opening ensemble statements, combined with the falling-third "Coming Home" motive, help bring the work to a peaceful conclusion. A recording of this version of Coming Home may be found on Brian Meixner and Nathan Daughtrey's album of euphonium. percussion music, "Praxis," available from Potenza Music. The original version for euphonium and piano is available from C. Alan Publications. Item #19040.

ترجمة

الصفحة الرئيسية القادمة. PE النتيجة. ألحان ناثان Daughtrey. عازف منفرد. مع فرقة قرع. For euphonium, bells & crotales. 2 أوكتافات. ، الفيبرافون. 3 or 3.5-octave. , chimes, marimba. 5 اوكتاف. ، قرع. 4 timpani, concert bass drum, wind chimes, suspended cymbal. 5 players soloist. صعوبة. متوسط. قرع درجة الفرقة وأجزاء. مدة 9. 00. نشرت من قبل C. آلان المنشورات. CN.20440. Originally commissioned by euphonium player Christian Folk for euphonium and piano, Coming Home takes its title from the hymn "Lord, I'm Coming Home" by William Kirkpatrick â“ a favorite of his grandmother, Virginia Busbee. ويمكن الاطلاع على الدوافع لحني من النشيد في جميع أنحاء قطعة، مع بيان كامل واحد في نهاية. العمل يقسم إلى ثلاثة أقسام رئيسية. Fear & Anxiety. The unaccompanied euphonium at the beginning poignantly captures the feeling of being lost and alone. Even with the sparse interjections of the percussion ensemble, those anxious feelings are still difficult to overcome. As this section unfolds, there is a sense coming to a climax, but the music quickly dies back down, smoothly transitioning into the next. قسم. Courage & Strength. Climbing fifths and quartal harmonies characterize this section, combined with a stronger statement of the thematic material from the opening of the piece. A grandiose climax is achieved before moving into the final section of the piece. Peace, Acceptance & Hope. Ascending figures in the vibraphone create an ethereal backdrop for the only full statement of the hymn. Christian's grandmother's name, Virginia, is uttered as a serial musical figure in the orchestra bells. This figure eventually becomes a music box-like accompaniment tinkering in the bells and vibraphone. Motives from the opening ensemble statements, combined with the falling-third "Coming Home" motive, help bring the work to a peaceful conclusion. A recording of this version of Coming Home may be found on Brian Meixner and Nathan Daughtrey's album of euphonium. percussion music, "Praxis," available from Potenza Music. The original version for euphonium and piano is available from C. Alan Publications. Item #19040.