النوتة الموسيقية $95.00

الاصلي

A Call to Celebration.

ترجمة

دعوة للاحتفال.

الاصلي

A Call to Celebration composed by David R. Holsinger. For concert band. Level 4.5. Score and parts. Duration 2 minutes, 20 seconds. Published by TRN Music Publisher. TU.CBCAL2. Take advantage of this over-stock pricing while supplies last. Commissioned to open the concert of the Phi Mu Alpha Sinfonian National Wind Ensemble at the fraternity’s 2012 National Convention, the composer chose two favorite fraternity songs to highlight in this short fanfare. The first was the SINFONIAN ANTHEM. “All Hail, Sinfonian Brothers”. , an energetic march-like song written in 1908 and the SINFONIAN HYMN. “Let each man take his lot and place”. , penned in 1914 and based on a serene and introspective melody from William Gardner’s “Sacred Melodies” published in 1815. The composer has always been drawn to both these melodies since his introduction to them as a college student member of the fraternity and although they might seem far afield in styles, their unlikely juxtaposition in one short fanfare was just the challenge needed to unite them in this concert opener.

ترجمة

A Call to Celebration composed by David R. Holsinger. لفرقة موسيقية. مستوى 4.5. النتيجة وأجزاء. مدة 2 دقيقة، 20 ثانية. نشرت من قبل ترن الموسيقى الناشر. TU.CBCAL2. الاستفادة من هذا الإفراط في تسعير الأسهم في حين أن الإمدادات الماضي. بتكليف لفتح هذا الحفل من مو فاي ألفا Sinfonian الوطنية فرقة الرياح في 2012 المؤتمر الوطني الأخوة، واختار الملحن اثنين من الأغاني المفضلة لتسليط الضوء على الأخوة في هذه الجعجعة قصيرة. كان أول النشيد SINFONIAN. "جميع حائل، Sinfonian براذرز". ، وهي أغنية تشبه مسيرة حيوية مكتوبة في عام 1908 ونشيد SINFONIAN. وقال "دعونا كل رجل يتخذ له الكثير والمكان". ، صاغها في عام 1914، وبناء على لحن هادئ والاستقراء من وليام جاردنر "أنغام المقدس" الذي نشر في عام 1815. The composer has always been drawn to both these melodies since his introduction to them as a college student member of the fraternity and although they might seem far afield in styles, their unlikely juxtaposition in one short fanfare was just the challenge needed to unite them in this concert opener.