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الاصلي

La Mer. Trois esquisses symphoniques. Claude Debussy.

ترجمة

لا مير. ثلاثة اسكتشات السمفونية. كلود ديبوسي.

الاصلي

La Mer. Trois esquisses symphoniques composed by Claude Debussy. 1862-1918. Edited by Douglas Woodfull-Harris. For symphony orchestra. Study score. Published by Baerenreiter Verlag. BA.TP-780. Following the recent publication of the full score and performance material to Debussy's La Mer. BA 7880. , Barenreiter now presents the study score edition of this "impressionistic" masterpiece. The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, especially in terms of articulation and dynamics. This new edition includes the famous "fanfare" in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i. Monteux, Munch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Barenreiter edition presents the revival of a performing tradition which is committed to the fanfare.

ترجمة

لا مير. Trois esquisses symphoniques composed by Claude Debussy. 1862-1918. حرره دوغلاس Woodfull هاريس. لأوركسترا سيمفونية. النتيجة دراسة. نشرته دار نشر Baerenreiter. BA.TP-780. Following the recent publication of the full score and performance material to Debussy's La Mer. BA 7880. , Barenreiter now presents the study score edition of this "impressionistic" masterpiece. توجه الطبعة العلماء الحرجة الجديدة على عدة مصادر مهمة لم تكن متاحة سابقا لعلماء الموسيقى، مما أدى إلى مجموعة من القراءات والتصحيحات الجديدة. وبالإضافة إلى ذلك، هناك العديد من التغييرات، وخاصة من حيث التعبير وديناميات. This new edition includes the famous "fanfare" in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i. Monteux, Munch, Mitropoulos and Ansermet. ورأوا أن الختان كان سوء فهم وأن الجعجعة ضروري لبنية الحركة. And so, the Barenreiter edition presents the revival of a performing tradition which is committed to the fanfare.