النوتة الموسيقية

الاصلي

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Anonymous. in the same codex. Anonymous. A cappella. Sacred , Sequence hymn for the Assumption of the BVM.. Language. Latin. SAA.

ترجمة

Congaudent angelorum II. not to be confused with Congaudent angelorum III. مجهول. in the same codex. مجهول. بدون مصاحبة من الالات الموسيقية. المقدسة، ترنيمة تسلسل للانتقال السيدة العذراء من أعلى جودة بأفضل سعر.. لغة. Latin. SAA.

الاصلي

A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93. The notes' values, accidentals and colourings are as in the manuscript. The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

ترجمة

أ "sequentia" للالعذراء مريم نسخها من tr93 مخطوطة ترينت. الملاحظات "القيم، accidentals والملونات هي كما في مخطوطة. التوقيع الوقت مفقود في جميع الأصوات، وقد تولى "بيرفكتوم تمبوس" من السياق. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. قيم الملاحظات "داخل ligaturæ هي كما يلي. اليسار upstemmed الملاحظات هي semibreves - الملاحظات unstemmed هي المديرة القصيرة - الحق downstemmed الملاحظات هي longæ. و"موسيقي ficta" اقتراحات هي في ملفات MIDI وMusicXML.