النوتة الموسيقية

الاصلي

O quam glorifica II. another anonymous setting is found in Tr. 92. Anonymous. A cappella. Sacred , Office hymn variously assigned to the marian feasts of the Nativity or the Purification. Language. Latin. SST or SAT. two different versions.

ترجمة

O quam glorifica II. another anonymous setting is found in Tr. 92. مجهول. بدون مصاحبة من الالات الموسيقية. Sacred , Office hymn variously assigned to the marian feasts of the Nativity or the Purification. لغة. Latin. SST or SAT. two different versions.

الاصلي

A Blessed Virgin Mary hymn transcribed from the Trent manuscript tr87. The time signatures, notes' values and colourings are as in the manuscript, the perfect notes are dotted. The coloured are in "proportio sesquialtera". 3 vs. The 3rd voice is puzzling. it's clearly an added voice, alternative to the 2nd voice but with also several conflicting mesures with the 1st one, moreover it's not always readable. Its use with or without changes is left to the performer's judgement. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ.

ترجمة

A Blessed Virgin Mary hymn transcribed from the Trent manuscript tr87. تواقيع الوقت والقيم والملونات الملاحظات "هي كما في مخطوطة، ويلاحظ المثالية هي المنقطة. The coloured are in "proportio sesquialtera". 3 ضد. The 3rd voice is puzzling. it's clearly an added voice, alternative to the 2nd voice but with also several conflicting mesures with the 1st one, moreover it's not always readable. Its use with or without changes is left to the performer's judgement. قيم الملاحظات "داخل ligaturæ هي كما يلي. اليسار upstemmed الملاحظات هي semibreves - الملاحظات unstemmed هي المديرة القصيرة - الحق downstemmed الملاحظات هي longæ.